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We pick up five years later with the retired Bond coaxed back into action, working for the CIA alongside his shady old American drinking buddy Felix Leiter (played again by an enormously entertaining Jeffrey Wright) only to find himself being shooed off the case by Lashana Lynch’s svelte new Agent 007.
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The pre-credit sequence tends to so much business I’d forgotten from “Spectre” that it briefly felt like I was being called on in class and hadn’t done the reading, but then luckily for us there’s a big betrayal before the movie begins again in earnest with a bad Billie Eilish song. Madeleine Swann (Léa Seydoux), who believe it or not is the first Bond Girl ever to carry over into the next movie and curiously, also the one with whom he has the worst chemistry.
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I had absolutely no recollection of the revelation in “Spectre” that her murderer was the father of 007’s latest love interest, Dr. Bond’s wife was murdered in that 1969 film’s shattering final scene, her name never mentioned again until 1981’s “For Your Eyes Only,” six movies later.īut you can’t get away with being so laissez faire about franchise mythology these days, which is probably why “No Time to Die” begins with Craig visiting the grave of Eva Green’s Vesper Lynd, who stole his heart (and mine) in “Casino Royale” some 15 years ago. (“Who is Joe Don Baker supposed to be in this one again?”) That’s how you got 007 facing off against Blofeld in “You Only Live Twice” and then the two meeting for the first time in “On Her Majesty’s Secret Service” two years hence. You don’t just have different actors playing Bond, sometimes the same supporting actors play different characters. You could fall asleep in front of the annual Thanksgiving marathon on TBS in a tryptophan coma and it wouldn’t matter which movie was running when you woke up.
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The most beautiful thing about James Bond movies is that up until recently they were blessedly free from continuity. Daniel Craig as James Bond and Christoph Waltz as Blofeld in "No Time to Die." (Courtesy Nicola Dove/MGM)Ĭonceived as a farewell tour for Craig - who initially intended to bow out after 2015’s dismal “Spectre” but couldn’t bear to leave on such a bum note - the movie attempts to tie up all sorts of dangling plot threads from the previous four pictures that should never have been serialized in the first place. For a lumbering, 163-minute blockbuster it’s surprisingly light on its feet, if still egregiously overlong. Characters who would normally be glowering exposition machines are all a little loopy and slightly off-center.
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I like him because he likes martinis, cool gadgets and having sex.) Thanks presumably to a well-publicized dialogue polish by “Fleabag” writer Phoebe Waller-Bridge, “No Time to Die” is full of punchy, prickly banter and has a refreshing silly streak. (I don’t go to these movies to hear about James Bond’s sad childhood. The increasingly dour Daniel Craig installments bogged down 007 with a tragic family history and all sorts of miserable emotional baggage unbecoming of a character whose appeal is rooted in his playboy panache. “No Time to Die” is the best Bond since Craig’s initial outing in “Casino Royale,” and the first since the character’s 2006 re-introduction to remember that these films are supposed to be funny. It helps that the movie’s pretty good, too. 007 might be two years late, but he feels right on time. (Daniel Craig was promoting the film when he hosted “Saturday Night Live” 19 months ago.) After surviving such a frightening, frustrating time, finally sitting down in a theater to watch the new chapter in cinema’s longest-running franchise can’t help but feel like something more than just another Bond picture: it’s a sign of a world on its way back to normal. The high-profile blockbuster quickly became a poster child for pandemic motion picture postponements and something of a running joke among friends separated during lockdowns - “see you at the James Bond movie” became our wistful refrain - while the studio blew lord knows how many millions of dollars on abandoned advertising campaigns. Originally slated to open in November of 2019, the 25th official 007 adventure “No Time to Die” was first rescheduled before it even started shooting, due to the departure of director Danny Boyle during preproduction, and was then famously delayed several more times between April of 2020 and this week’s actual, “at long last” opening. Daniel Craig as James Bond in "No Time to Die." (Courtesy Nicola Dova/MGM)